Object

Landscapes

Keio Object Hub
Person
Date
制作年 Muromachi period (15th century)
Title
サンスイズ
Measurements
各21.3×25.1
Materials, techniques and shape
Ink on paper
Collections
Depository
Keio Museum Commons Campus Mita
Ref. number
AW-CEN-000183-0000
License
CC BY Images license
Creditline

Keio University (Century Akao Collection)

URL
Classification
Art
AI Tagging
Wood Art Rectangle Tints and shades Painting

Sesshu (1420-1506?) was a native of Bitchu (Okayama prefecture). He went to study under Shunrin Shuto, the abbot of the Shokoku-ji temple in Kyoto. Following his initiation under the Buddhist name Toyo, he remained at the temple as the priest in charge of greeting important visitors. During this period, he acquired a piece of calligraphy by the Chinese priest Qushi Fanqi which contained the two characters Xue-zhou or Ses-shu as pronounced in Japanese. Meaning simply ‘boat in the snow’, he had his fellow priest Ryuko Shinkei write the dissertation of the two characters Ses-shu, and thereafter assumed the alternate name Sesshu. Later on, upon kindness of the Ouchi family ruling the Suoh district (Yamaguchi prefecture), he lived there and engaged in painting. In 1467 at the age of Forty-eight, he went over to Ming-dynasty China aboard the ship of the Japanese ambassador. There he visited the Tiangtong-shan, a center of Zen Buddhism in China, and was given the highest position of the temple. In Beijing, he won high fame for painting on walls of the Board of Rites of Chinese government. He came back to Japan in summer of 1469, when he was fifty. Famous among his works of painting are the “Long Landscape Scroll” (preserved at Mohri Museum), “Haboku Landscape” (Tokyo National Museum), “Bridge of Heaven” (Kyoto Natinal Museum) and others. The two paintings shown here, though small in dimension, are remarkable for their beautiful depiction of nature using ink of dark and light shades in the unique technique.

 雪舟等楊(せっしゅうとうよう)(1420−1506以前)は、備中に生まれ、京都に上り、東福寺、つづいて相国寺で水墨画を学んだ。周防に降り、応仁元年(1467)遣明船で中国に渡った。晩年には、周防に雲谷庵というアトリエを築き、秋月(出品番号9)、宗淵、周徳(出品番号18)等の弟子を輩出している。
 雪舟は弟子の宗淵に、本図(出品番号20)と同じ潑墨の技法で描いた「破墨山水図」(東京国立博物館所蔵)を与えており、この技法は、雪舟派において重視された。出品番号20は一気呵成に描いた小品で、賛も付されない。箱には「享保十二年二月三日小笠原遠江守様ゟ拝領之」と墨書された紙が付されており、もともと対であったかも分からないが、享保12年(1727)の段階では対幅として伝わっていたようだ。
 雪舟は、大作ばかりを描いていたのではなく、日常的に所望されるたびに、このような山水図を描き与えていたかもしれない。細川公爵家旧蔵とされる「山水帖」の精巧な複製(出品番号21)には、小品の潑墨山水図が3図収載されている。
 
「常盤山文庫×慶應義塾 臥遊─時空をかける禅のまなざし」展(2023.10 慶應義塾ミュージアム・コモンズ)図録 掲載

Overview

Date
制作年 Muromachi period (15th century)
Materials, techniques and shape
各21.3×25.1 Ink on paper
Collections
Century Akao Collection
AI Tagging
Wood Art Rectangle Tints and shades Painting

Rights

Ref. number
AW-CEN-000183-0000
License
CC BY
Creditline

Keio University (Century Akao Collection)

Images
license

Depository and ID

Depository
Keio Museum Commons
Campus Mita
URL
Classification
Art

Components

OPEN DATADESIGN

Details

Identifiers

Title (EN)
Landscapes

Physical description

Weights and quantities
Quantity 2幅
Attachments
鑑定書(狩野探索)ほか

Provenance

亨保12年未2月3日小笠原遠江守様占拝領

Identifiers

Title (EN)
Landscapes

Physical description

Weights and quantities
Quantity 2幅
Attachments
鑑定書(狩野探索)ほか

Provenance

亨保12年未2月3日小笠原遠江守様占拝領