Object

Portrait of Priest Kenko by Nonogushi Ryuho

Keio Object Hub
Person
Date
制作年 AD17
Title
ノノグチリュウホヒツケンコウホウシジガサン
Materials, techniques and shape
紙本墨画
Collections
Depository
Keio Museum Commons Campus Mita
Ref. number
AW-CEN-000206-0000
License
CC BY Images license
Creditline

慶應義塾(センチュリー赤尾コレクション)

URL
Classification
Art
AI Tagging
Handwriting Rectangle Signature Font Line

Nonoguchi Ryuho (1595-1669), a native of Tango (part of what is now Kyoto Prefecture), went up to the city of Kyoto where he practiced doll-making, and was called Hinaya (Doll Maker). He studied renga (a sequence of 17-syllable and 14-syllable verses composed alternately by two or more participants), and later studied haiku (17-syllable complete poem) with Matsunaga Teitoku (1571-1654). In the latter-mentioned field, he was numbered among the seven outstanding pupils of Teitoku. Good at painting and calligraphy, he displayed his ability in brief pictures in economized strokes, in which he inscribed his haiku poems. These were to become the origin of haiga (haiku paintings) of later times.This painting represents Ryuho’s peculiar realm of art. It portrays briefly but deftly the tonsured figure of the ancient poet and essayist Yoshida Kenko (1283?-1350?) seated beyond desk in his secluded adobe. A quotation from the beginning of his essay Tsurezure-gusa is inscribed by the figure.

ひとりともし火のもとに文をひろげて見ぬ世の人を友とするなん、こよなうなぐさむわざなれ。といひし人も見ぬ世の人となれり。見る人も花よ見ぬ世のふる反古

Rights

Ref. number
AW-CEN-000206-0000
License
CC BY
Creditline

慶應義塾(センチュリー赤尾コレクション)

Images
license

Depository and ID

Depository
Keio Museum Commons
Campus Mita
URL
Classification
Art

Components

OPEN DATADESIGN

Details

Identifiers

Title (EN)
Portrait of Priest Kenko by Nonogushi Ryuho

Physical description

Weights and quantities
Quantity 1幅

Provenance

旧蔵印と思われる「市山居鋻賞」の朱文方印あり

Identifiers

Title (EN)
Portrait of Priest Kenko by Nonogushi Ryuho

Physical description

Weights and quantities
Quantity 1幅

Provenance

旧蔵印と思われる「市山居鋻賞」の朱文方印あり