Tatsuta-gire (Detached segment of Wakan Roeishu)
- Person
-
作者伝源家長
- Date
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制作年 AD13
- Title
- タツタギレ
- Collections
- Century Akao Collection
- Depository
- Institute of Oriental Classics (Shido Bunko) Campus Mita
- Ref. number
- AW-CEN-001759-0001
- License
- CC BY Images license
- Creditline
-
慶應義塾（センチュリー赤尾コレクション）
- URL
- Classification
- Art
- AI Tagging
- Handwriting Font Monochrome Writing Paper
This hangingscroll is a part of the ‘countryside’ section in ‘Miscellaneous Songs’ in Volume 2 of the Wakan Roeishu, or the Anthology of Japanese and Chinese Poems for Recitation selected by Fujiwara-no-Kinto (966-1041). This scroll shows four succeeding Chinese poems and two Japanese poems composed with the ‘countryside’ theme. The segment name of Tatsuta-gire derives from the fact that the underdrawings of flowing water and crimson autumnal foliage reminds one of the Tatsuta River (in Nara), noted for utamakura (a place famed in poetry). The calligraphy is written on heavy torinoko paper, but dyed paper was used in an intermixed fashion, in the soft hues of light yellow, beige, and indigo blue and light blue. Clove was used to draw the under-painted flowers and bushes, flowing water, grass and clouds. The paper is further decorated with under-painted woodblock printing, resulting in graceful elegance.This fragments listed here show decorative underdrawn clouds, dragonflies and ripened rice. The hand is bolder than the other ancient manuscripts in the same Anthology, showing the characteristics of the Hosshouji School. Although they are attributed to Minamoto-no-Ienaga (?-1234), it is clearly different from the hand on the Kumano kaishi, which is authenticated to be the work of Ienaga. The early 13th century rendition time coincides with Ienaga’s prime time of activities.
山路日落満耳者樵歌牧笛之声澗戸鳥帰遮眼者竹煙松霧之色花間覓友鴬交語洞裏移家鶴ト隣晴後青山臨牖近雨初白水入門流触石春雲生枕上銜峯暁月出窓中山ざとはものさびしかることこそあれよのうきよりはすみよかりけりやまざとは冬ぞさびしさまさりける人めもくさもかれぬと思へば
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- Title (EN)
- Tatsuta-gire (Detached segment of Wakan Roeishu)
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Quantity 1幅
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