Object

Orchids

Keio Object Hub
Person
Date
制作年 Muromachi period (15th century)
Title
ランズ
Measurements
右80.5×26.1、左80.6×26.1
Materials, techniques and shape
Ink on paper
Collections
Depository
Keio Museum Commons Campus Mita
Ref. number
AW-CEN-000099-0000
License
CC BY Images license
Creditline

Keio University (Century Akao Collection)

URL
Classification
Art
AI Tagging
Handwriting Plant Botany Wood Terrestrial plant

A son of Emperor GoKomatsu (1377-1433), Ikkyu Sojun (1394-1481) was born in Kyoto to a mother reputed to have been the daughter of a reclusive former vassal to the Southern Court. At the age of six he was apprenticed to the priest Shogai Shukan (a disciple of Tesshu Tokusai), abbot of the Ankokuji zen temple in Yamashiro province (Kyoto prefecture). Given the Buddhist name Shunken, he would spend the early part of his life moving from temple to temple. In 1415, at the age of 21, he would settle for a while as the disciple of Kaso Sodon (1352-1428), a priest whom he had long respected. Sodon gave him the name Ikkyu Sojun. Ikkyu spent most of the middle years of his life moving between various temples in Yamashiro, eventually overseeing the construction of the Shuon-an (Kyo-Tanabe city, Kyoto prefecture) in 1456, at the age of 63.As a person, Ikkyu was aloof from fame and wealth, and never courted dignitaries. It is said he always acted according to his beliefs, the reason perhaps why he was often labeled eccentric or heterodox. His calligraphy, unsurprisingly, was highly idiosyncratic, reflecting his willful personality. Occasionally, when in the mood, he would take to painting, another medium in which he exhibited an unusual, self-taught style. The paintings with poems shown here are perhaps typical, though rare, examples of his endeavors in these fields.Towards the end of his life, at the age of 81, he was nominated to the abbotship of Daitokuji Temple in Kyoto, though discord with other priests there meant he never took up the position. Reconstruction work at Daitokuji Temple had begun in the year of his nomination, in 1474, funded by Owa Sorin (?-1501), a wealthy merchant from Sakai (Osaka prefecture) and a great believer in Ikkyu. Ikkyu, however, died at the age of 88 before the reconstruction work had been completed.

〔右幅〕空聞蕙佩世傳芳楚国詞人吟興長湘水不須言逆耳泪羅江上送春香東海純一休老画与詩一筆(印)〔左幅〕紫野一休画与詩一筆(印)吟澤懐沙身迍邅湘江流恨水汲々楚人千歳幾多涙花葉空摧白露前

一休宗純(1394−1481)は、室町時代の禅僧。父は後小松天皇。少年時、建仁寺などで修行、その後大徳寺住持だった華叟宗曇(かそうそうどん)(1352−1428)に師事、京都・堺などを転々としながら風狂の僧として人々に知られた。詩と書を多く残している。本作は、一対の蘭の絵と一体化するように、それぞれの幅に七言絶句を記す。『狂雲集』には収めない。

「常盤山文庫×慶應義塾 臥遊─時空をかける禅のまなざし」展(2023.10 慶應義塾ミュージアム・コモンズ)図録 掲載

(A)
空聞蕙佩世伝芳
楚国詞人吟興長
湘水不須言逆耳
汨羅江上送春香
 東海純一休老画与詩一筆(印「一/休」)
(B)
 紫野一休画与詩一筆(印「一/休」)
吟沢懐沙身迍邅、湘江流恨
水湲々、楚人千歳幾多涙、
花葉空摧白露前
 
(A)蘭という香り高い草を魔除けのために袋に入れて腰に提げるという、うるわしい習慣もすたれたが、蘭を愛した楚の国の詩人屈原の思いは今も伝わっている。それにしても、人の耳に逆らうことを言って追放され、湘水のあたりをさまよい、最後は汨羅(べきら)に身を投げて命を落とすことなどなかったのに。川のほとりには今も春の香りが漂っている。
(B)歌を歌い、ものを思いながら水辺をあちらこちらとさまようと、湘江はその恨みを流すかのようにさらさらと流れていく。あの屈原の悲劇に、楚の人はこの千年以上の間、どれほどの涙を流したことか。秋の露が降りて花も葉もむなしく枯れていく。
 

「常盤山文庫×慶應義塾 臥遊─時空をかける禅のまなざし」展(2023.10 慶應義塾ミュージアム・コモンズ)図録 掲載

Overview

Date
制作年 Muromachi period (15th century)
Materials, techniques and shape
右80.5×26.1、左80.6×26.1 Ink on paper
Collections
Century Akao Collection
AI Tagging
Handwriting Plant Botany Wood Terrestrial plant

Rights

Ref. number
AW-CEN-000099-0000
License
CC BY
Creditline

Keio University (Century Akao Collection)

Images
license

Depository and ID

Depository
Keio Museum Commons
Campus Mita
URL
Classification
Art

Components

OPEN DATADESIGN

Details

Identifiers

Title (EN)
Orchids

Physical description

Weights and quantities
Quantity 2幅
Attachments
紙札2

Provenance

梅沢記念館旧蔵

Identifiers

Title (EN)
Orchids

Physical description

Weights and quantities
Quantity 2幅
Attachments
紙札2

Provenance

梅沢記念館旧蔵