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At the poetry party, the nine participants compared their skills in waka composition. The first contestant writes the first two lines of a poem (made up of 5, 7 and 5 letters), which is followed by the second poet who finishes up the last two lines (7 and 7 letters). The assigned topic and date are written at the far right corner of the first kaishi, on which the nine poets took turns to write either the top three or bottom two lines of each poem. Nobutada must have been asked to make a clean copy of the best renga (actually nine waka poems linked together, thus the name \u201crenga,\u201d meaning connected or linked poems). Each writer\u2019s name is visible at the end of the line he contributed. The character \u201cSugi,\u201d meaning cedar, seen at the start of the third poem was Nobutada\u2019s pseudonym. Other than this noted calligrapher\u2019s name, one can see the names of NishinoToin-Tokiyoshi (1552-1640), Shigenoi Fuyutaka (1586-1655), ShobaiIn Zensho (years of birth and death unknown), a priest of the Kitano Shrine, NishinoToin-Tokinao (1584-1636) and renga master Satomura Shotaku (1574-1636). One can assume that the very first line was composed by Emperor GoYozei (1571-1617), the highest ranking of all the participating poets on this occasion. We don\u2019t know who Zeuikyu, who wrote the second line, and Sozen, who contributed the ninth line, were. Although we can\u2019t determine what year the exhibited linked poems were made, one can truly appreciate the free flow with outstanding organization of each line created by Nobutada, who must have attended the poetry party as the appointed calligrapher.<\/p>"},{"number":1,"jp":"<p>\u5922\u60f3\u6765\u4e8c\u5341\u4e09\u65e5\u307f\u3069\u308a\u3042\u3089\u305d\u3075\u53cb\u9db4\u306e\u3053\u3091\uff08\u5f8c\u967d\u6210\u5929\u7687\uff09\u971c\u3092\u3075\u308b\u5e74\u3082\u3044\u304f\u6728\u306e\u5ead\u306e\u677e\u745e\u4e45\u51ac\u3088\u308a\u6885\u306e\u65e5\u304b\u3052\u305d\u3075\u5bbf\u6749\u671d\u9644\u65e5\u8ed2\u306e\u3064\u307e\uff0f\uff3c\u3046\u3064\u308d\u3072\u3066\u6642\u6176\u6708\u304b\u3059\u304b\u306a\u308b\u304a\u304f\u306e\u8c37\u304b\u3052\u51ac\u9686\u3046\u304d\u9727\u3092\u306f\u3089\u3072\u306f\u306f\u3066\u306c\u5c71\u98aa\u7985\u660c\u3042\u305f\u308a\u306e\u539f\u306f\u3075\u304b\u304d\u5915\u9732\u6642\u76f4\u6751\u8349\u306e\u4e2d\u306b\u3046\u3065\u3089\u306e\u5165\u81e5\u3066\u660c\u7422\u7530\u3065\u3089\u306e\u3064\u309e\u304d\u4eba\u304b\u3088\u3075\u3089\u3057\u5b97\u5168<\/p>","en":""}],"keywords":[],"bibliography":{"jp":null,"en":null},"provenance":{"jp":"","en":null},"conservation_activities":{"jp":null,"en":null},"notes":{"jp":null,"en":null},"address":{"jp":"\u65af\u9053\u6587\u5eab","en":null},"related_objects":[],"embeds":[],"technique":{"jp":null,"en":null},"shape":{"jp":"","en":null},"material":{"jp":"","en":null},"state_and_edition":{"jp":null,"en":null},"function":{"jp":null,"en":null},"background":{"jp":null,"en":null},"archaeological_context":{"jp":null,"en":null},"condition":{"jp":null,"en":null},"issue":{"jp":null,"en":null},"volume":{"jp":null,"en":null},"number_of_pages":null,"unit_number":{"jp":null,"en":null}},"date_created":"2021\/04\/03","date_modified":"2022\/07\/04","iiif_manifest":{"2.1":"https:\/\/api-iiif.db.kemco.keio.ac.jp\/iiif\/object\/697\/2.1\/manifest.json","3.0":"https:\/\/api-iiif.db.kemco.keio.ac.jp\/iiif\/object\/697\/3.0\/manifest.json"},"lod":{"jsonld":null,"ttl":null},"doi":null,"kohurl":{"jp":"https:\/\/objecthub.keio.ac.jp\/ja\/object\/697","en":"https:\/\/objecthub.keio.ac.jp\/en\/object\/697"},"contributors_url":null}