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Tesshu (1836-1888) was a statesman with an active career during the last years of the Edo Period and the beginning of the Meiji Period, but was also famous as a swordsman. He was called by the common name of Tetsutaro but his real name was Takayuki. Born as the fifth son of Ono Takayoshi, a hatamoto (Shogun\u2019s guardsman), he spent his boyhood in the mountainous regions of Hida Takayama (today\u2019s Gifu Prefecture), which he left for Edo in 1852 after both his parents had died. He married the younger sister of the master spearman, Yamaoka Seizan (1829-1856), and later inherited the master\u2019s name and household. During the turbulent years leading up to the Meiji Restoration (end of the 250-year military rule and restoration of the imperial order), Tesshu worked hard to set up a meeting between General Saigo Takamori (1827-1877), as the leader of the imperial army with the order to destroy the Tokugawa military government, and Katsu Kaishu (1823-1899), the military government official, thus contributing to the evacuation of the Edo Castle (Shogun\u2019s stronghold) without bloodshed.After the successful restoration of imperial rule, Tesshu was appointed Assistant Minister of Sovereign\u2019s Household and was later named a member of the Genro-In (The Chamber of Elders; the Meiji equivalent of the Senate). He died of illness at age 53 in July of the 21st year of the new Meiji Era. As a young boy, Tesshu practiced calligraphy under Iwasa Ittei and was said to have received a master\u2019s certificate as young as 14. The powerful strokes are typical of Tesshu\u2019s brushworks, showing Daishi School influence. With the shown seven-syllable two-line poem, Tesshu expressed his desire for a peaceful reign amidst the political turmoil leading up to the Meiji Restoration. The confident brushstrokes of letter-perfect cursive script speaks of years of training and the amazing heights Tesshu had reached. The heavy and bold characters written with rich, black India ink were typical of Tesshu\u2019s writing. It is said that Tesshu gladly responded to any requests to write brushworks. The exhibit is also a work of an experienced calligrapher.<\/p>"},{"number":1,"jp":"<p>\u592a\u5e73\u4e16\u754c\u8c4a\u767b\u5916\u5c0f\u6709\u6d1e\u5929\u9591\u9069\u4e2d\u9244\u821f\u5c45\u58eb\uff08\u5370\u300c\u5c71\u5ca1\u5546\u6b69\u300d\uff09\uff08\u5370\u300c\u53f7\u9244\u821f\u300d\uff09<\/p>","en":""}],"keywords":[],"bibliography":{"jp":null,"en":null},"provenance":{"jp":"","en":null},"conservation_activities":{"jp":null,"en":null},"notes":{"jp":null,"en":null},"address":{"jp":"\u65af\u9053\u6587\u5eab","en":null},"related_objects":[],"embeds":[],"technique":{"jp":null,"en":null},"shape":{"jp":"","en":null},"material":{"jp":"","en":null},"state_and_edition":{"jp":null,"en":null},"function":{"jp":null,"en":null},"background":{"jp":null,"en":null},"archaeological_context":{"jp":null,"en":null},"condition":{"jp":null,"en":null},"issue":{"jp":null,"en":null},"volume":{"jp":null,"en":null},"number_of_pages":null,"unit_number":{"jp":null,"en":null}},"date_created":"2021\/04\/03","date_modified":"2022\/07\/04","iiif_manifest":{"2.1":"https:\/\/api-iiif.db.kemco.keio.ac.jp\/iiif\/object\/1396\/2.1\/manifest.json","3.0":"https:\/\/api-iiif.db.kemco.keio.ac.jp\/iiif\/object\/1396\/3.0\/manifest.json"},"lod":{"jsonld":null,"ttl":null},"doi":null,"kohurl":{"jp":"https:\/\/objecthub.keio.ac.jp\/ja\/object\/1396","en":"https:\/\/objecthub.keio.ac.jp\/en\/object\/1396"},"contributors_url":null}